
"a dapper, pocket-sized 'magazine of ideas
and the arts' and bastion of the cultish [...] a spry journal that intelligently
mingles original work with criticism" the
Guardian, April 1, 2006 |
"fine and serious magazine [...] beautifully
designed and easy to read" Dana
Gioia, Chairman of the National Endowment for the Arts (USA) |
"[a] brave independent venture [...] a
quarterly committed to quality above all else" Terry
Eagleton |
Volume I, Number 3–– 0-9549068-2-9
| A POSTCARD FROM THE VOLCANO | Diogo Farcia |
| SHELLSHOCK | Susanna Gendall |
| WHAT WOULD YOU PICTURE FOR DECAY? | James Reidel |
| A PORTFOLIO OF PHOTGRAPHS: Attributed, Performed, Collected | Weldon Kees |
| MR WHISTLER'S "TEN O'CLOCK" | James McNeill Whistler |
| WHISTLER'S TEN O'CLOCK LECTURE | Patricia de Montfort |
| THE MAN WHOSE HEAD EXPANDED | David Gaffney |
| COMMENT | The Editors |
| LETTERS TO THE EDITORS | Our Reader |
Volume I, Number 2 –– 0-9549068-1-0
| COMMENT | The Editors |
| FOUR MORE STORIES: | Nizaket Ali |
| – A Portrait of Madame X, Poly, Advent, Castor | |
| SOME AMERICAN POETS selected and introduced by Chris Sharp | Adam Degraff, Ariana Reines, William Edmiston |
| THREE POEMS | Chris Sharp |
| OLD SLOOP | Stephen Tyson |
| IN CRITIQUE OF 'THE TIGER' BY WILLIAM BLAKE | Bradley Earle Hoge |
| SAWN OFF TALES | David Gaffney |
| NOTES ON INVISIBLE ART | Aaron Robertson |
| STUDIO | Jane Burke |
| ALL THE USELESS THINGS THESE HANDS HAVE DONE | Smith |
| THREE POEMS | Davide Trame |
| TWO MEN | Amanda Harter |
| OTHER LIVES | Stephen Tyson |
| LETTERS | Various |
Volume I, Number 1–– 0-9549068-0-2
| FOUR STORIES | Nizaket Ali |
| WEST 2º NORTH 49º | Jane Burke |
| THREE EPISODES FROM LOCOMOTION | Lynn Kramer |
| TRANSLATION BY THE AUTHOR | Smith |
| FOUR POEMS | Chris Sharp |
| THE BRAN OR THE BRAN-TUB | Maxim Barrault |
| THE WALLS OF PERCEPTION | Howard Lewis |
| THE NOVELIST'S QUEST FOR MEANING | T.M. Mulholland |
| THE ILLUSION OF NEUTRALITY | Aaron Robertson |
| COMMENT | The Editors |

©The Ephemera and its contributors, 2005 |